Gladstone presents an exhibition of over sixty rarely seen works, curated by Kathy Halbreich. Familiar with Murray’s oeuvre across mediums.
Read MoreMnuchin Gallery proudly presents ABSTRACTION, an exhibition that delves into the dynamic ways post-war and contemporary artists have defined, challenged, and expanded, our comprehension of abstract art.
Read MoreThe Shah Garg Foundation is pleased to present Making Their Mark, a major exhibition showcasing the works of more than 80 of the most significant women artists from the last eight decades.
Read MoreKarma is pleased to present Painting in New York: 1971–83. This exhibition brings together the work of thirty painters of diverse practice and backgrounds, all of whom were active in New York City in the 1970s and whose lives and works were impacted by the upheavals that radiated from feminism’s second wave.
Read MoreGladstone Gallery presents an afternoon of poetry and performance to celebrate the closing of our first solo presentation of works by Elizabeth Murray on December 18.
Read MoreApplications now accepted for the 2022 session. Deadline is December 15!
Read MoreGladstone Gallery is pleased to announce its first exhibition with the Estate of Elizabeth Murray after announcing representation in the summer of 2020.
Read MoreWhy Buffalo? Perhaps she thought that Western New York was conveniently accessible to Manhattan? That would have been wishful thinking.
Read MoreMany archival gems are featured in Back in Town, the homecoming exhibition organized by Robert Scalise and Jason Andrew at the University of Buffalo’s Anderson Gallery.
Read MoreIn a happy juxtaposition, both paintings are included in the exhibition, providing useful markers, beyond those of pure historicity, for a non-linear overview of her work.
Read MoreThe exhibition that originated at the Contemporary Arts Museum Houston, travels to the Carnegie for an extended run.
Read MoreUB's Robert Scalise has curated "Elizabeth Murray: Back in Town" to focus on how Murray's time in Buffalo shaped her artistic style.
Read MoreUniversity at Buffalo Art Galleries to present the first major posthumous survey of work by pioneering artist Elizabeth Murray
Read MoreWild Life is the first institutional presentation of Murray’s work in Texas since the historic 1987 traveling exhibition Elizabeth Murray: Paintings and Drawings at the Dallas Museum of Art. It is the first presentation of Reaves’s work in the south, as well as the first exhibition to survey her work of the last five years.
Read MoreOn the occasion of Christie’s offering of Elizabeth Murray’s Moonbeam (1995-96) in the Post-War & Contemporary Art Day Sale on October 7, 2020, Estate curator Jason Andrew researched the work, offering a unique perspective on Murray’s inspiration and intention.
Read MoreGladstone Gallery announces its representation of the Estate of Elizabeth Murray. Murray’s densely painted, often uniquely-shaped canvases and intuitive approach to depicting forms and colors in space transformed the course of art history and continue to have a significant impact on contemporary artists working today.
Read MoreJust in time for the annual art fairs in Miami this week, the Pérez Art Museum has became the latest institution to acquire a work by Elizabeth Murray. The painting acquired is Falling, painted in 1976. The work is currently on view at the museum included in the exhibition “The Gift of Art", an ongoing exhibition highlighting the museum’s permanent collection during its 35th Anniversary year.
Read MoreIn an exciting week at the fall auctions, the highest price paid for a work by Elizabeth Murray was set at Phillips on November 13, only to be broken two days later in a separate sale at Sotheby’s.
Read MoreLong believed to have been destroyed or no longer extant, 2. B. ! a unique work completed by Elizabeth Murray in October 1990, has resurfaced in a forthcoming sale at Phillips on November 13, 2019. On the occasion of this work appearing at auction, Jason Andrew, Director of the Estate of Elizabeth Murray, inspected the work first hand.
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